Odiseo Vol.9 ‘Laughter & Loathing’ by Folch

Odiseo Vol.9
Laughter & Loathing
Folch Studio

Paul Jung #006


Apple Watch Nike+ Silver

Apple Watch Nike+
Silver Aluminium Case with Flat Silver/Volt Nike Sport Band


Two Black Doves T-shirt – Supermarché

C. Navarra Pruna drawing of two doves.

A 160 g/m² Anvil t-shirt featuring a drawing of two doves made on an iPad by 82-year-old C. Navarra Pruna. 50% post-consumer PET recycled polyester, and 50% organic combed ring spun cotton for exceptional softness. Tubular construction. Comes without labels or tags, credits printed on top. Please note the partly recycled fabric is subject to present small defects, that give each t-shirt a unique, organic appearance. Edition of 30.


Blek le Rat – Black Rat, 2005

Black Rat, 2005
Blek le Rat

Spray paint and stencil on canvas
Work: 40 x 40 x 2 cm (15.75 x 15.75 x 0.79 in)
Frame: 40 x 40 x 2 cm (15.75 x 15.75 x 0.79 in)
Stencil signed on lower right, recto; signed and numbered in black felt tip pen on verso

Buy on Paddle8


Francesco Jodice – Capri. The Diefenbach Chronicles #003, 2013

Capri. The Diefenbach Chronicles #003, 2013
Francesco Jodice

Francesco Jodice
February 11–May 7, 2017

Plat(t)form 2017: January 27–29, Emerging artists and photographers present their portfolios

Fotomuseum Winterthur
Grüzenstrasse 44 + 45
CH-8400 Winterthur (Zurich)
Hours: Tuesday–Sunday 11am–6pm,
Wednesday 11am–8pm


Swindle Magazine – Banksy Cover

Swindle Magazine
Banksy Cover
Signed by Banksy

Paul Jung #005


Aquaporin – Norm Architects


Office facility and laboratory outside of Copenhagen

The Aquaporin office and laboratory is situated in an old factory and the location has been empty for more than 10 years. The building has originally been nominated as the best factory space as it was the first of it’s kind with windows in the roof.

Norm Architects

Nychos – Lepus Pellis Os Omentum (Four Works), 2014

Lepus Pellis Os Omentum (Four Works), 2014

Painted cast resin
10 x 5 x 8 in (25.4 x 12.7 x 20.32 cm) –
Dimensions apply to each


Spike Art Magazine #50 Winter 2017

Spike Art Magazine #50
Winter 2017

Spike 50 is all about the family: as structure, model, metaphor, as place of origin and point of no return. Do we need to save the family, or to destroy it? Do lines of descent still make sense for artists, or have networks taken their place? From the queer family to the nuclear family, from the commune to neopatriarchy, it lives on in many forms – even in the family of an art magazine.

With contributions by Bruce Hainley, Dominikus Müller, Alison M. Gingeras, Dean Kissick, Michael Hardt, Nina Power, Nicolaus Schafhausen, Aki Sasamoto, Aaron Moulton, Daniel Baumann, Felix Bernstein, Jamieson Webster und Chiara Bottici, and many more.

Spike website

Paul Jung #004


Material Turn – Paul Jung on Melitta Baumeister

Material Turn.
Paul Jung on Melitta Baumeister


Invader – Aladdin Sane (Pinky), 2014

Aladdin Sane (Pinky), 2014

Screenprint in colors on 300gsm Somerset satin white paper
45 x 45 cm (17.72 x 17.72 in)
Edition of 65
Signed and dated in pencil on lower right, recto; numbered in pencil on lower left, recto


Apple MacBook Pro


Odiseo Vol. 6 ‘Nature and Artifice’ by Folch

Odiseo Vol.6
Nature and Artifice
Folch Studio

All My Friends Are Models – Josie Clough

Photography by Josie Clough
Styling by Sasha Benz
Collab Website: It’s Now Cool
Models Avril Rae, Miriam Adler and Kendal Schuler
Fella Swim and Vintage swimmers
There was no hair and make-up on set. No models were harmed in the…

All My Friends Are Models

Paul Jung #003


Filippa K – Winter 2016

Filippa K Winter 2016


Studio Annika Wirken – Daily Support

Bracelet // rawhide

Bracelet, daily support, is cut out of rawhide and stitched to fit.
It is designed to symbolically support the elbow and wrist.

Studio Annika Wirken

Clementine – Jardan

Clementine by Jardan

Simple proportions conceal Clementine’s complex mitred joinery.

Made to order in an array of sizes for both residential and commercial settings. Range includes bedsides, tallboys and sideboards.

Design by N Garnham


Paul Jung #002


Acne Studios Fall-Winter 2016 sale

Acne Studios Fall-Winter 2016 sale

Odiseo Vol.5 ‘(Not) Safe For Work’ by Folch

Odiseo Vol.5
(Not) Safe For Work
Folch Studio

Kelsey on Film by Paul Capra


Paul Capra Tumblr

Mel Ramos – Gitanes Legeres


Mel Ramos
Gitanes Legeres

Mel Ramos’s provocative, humorous paintings mix idealized nude women with the imagery of popular culture—Coca Cola bottles, movie posters, and the like. A prolific artist from his emergence in the 1960s onward, Ramos has often based his nudes on the female celebrities of the day, from Marilyn Monroe to Scarlett Johansson. His style references the sensuality and glossy flatness of pin-ups and Playboy spreads and has drawn the ire of feminists and art critics alike, despite Ramos’s assertion that his works are “apolitical”. Though clearly aligned with Pop art in his appropriation of imagery from mass media and consumer products, Ramos calls his practice rooted in Surrealism and its emphasis on “absurd conjunctions”—in his case, a beautiful nude woman emerging from a Snickers wrapper or lounging seductively in a banana split.

American, b. 1935, Sacramento, California, based in Oakland, California

Paul Jung #001


Errol – Jardan

Errol Sofa by Jardan

Errol’s sumptuous oversized cushioning sits lightly on its feet.

Made to order fully upholstered and available with a contrast trim option. Range includes sofas, armchairs and ottomans with deep options available.

Design by Jardan Lab


Matteo Callegari

Matteo Callegari

Edition of 600
124 pages
Hardcover 26×24 cm
ISBN 9788894154009

This publication explores the painting practice of New York–based, Italian-born artist Matteo Callegari. Organized in sections according to the artist’s bodies of work, the volume digs into Callegari’s constellation of references — from ancient funerary sculpture to Renaissance painting — and rearticulates materials according to the artist’s strategies of image-making. Design studio Front Desk Apparatus imitates Callegari’s painting practices of distortion and delineation in order to freeze the moment in which the images’ semantic value deteriorates. Callegari’s paintings appear in these pages as corrupted data, information bugs; at the same time they fight for their own iconicity. Embodying the very process of the artworks’s making, this book can be read as the platform of Callegari’s “painting system.”

Flash Art Books


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