China Mike – Beagle Knievel

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Allan D’Arcangelo – American Madonna #1, 1978

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Allan D’Arcangelo
American Madonna #1, 1978

Screenprint in colors on Arches paper
47 x 36 in (119.38 x 91.44 cm)
Proof outside main edition of 150
Signed, dated, and dedicated in pencil along lower edge, recto

Paddle8

Barbara Kruger – Savoir c’est pouvoir (from Estampes et Révolution, 200 ans après), 1989

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Barbara Kruger
Savoir c’est pouvoir (from Estampes et Révolution, 200 ans après), 1989

Lithograph in colors on Arches Cover paper
Work: 36.2 x 36.2 in (91.95 x 91.95 cm)
Frame: 39 x 38.25 x 2 in (99.06 x 97.16 x 5.08 cm)
Bon à tirer proof outside main edition of 100
Signed, numbered, and dated in pencil on lower right, recto

Paddle8

Julio Le Parc

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Julio Le Parc (b. 1928, Mendoza, Argentina) is a central and influential figure in participatory kinetic art, who has been largely overlooked in the United States, until now. Form into Action, which is the first solo museum exhibition and only comprehensive survey of the artist’s work in North America, will be presented across the Museum’s two spacious and adaptable special exhibition galleries and will feature more than 100 works produced by Le Parc between 1958 and 2013. The exhibition will explore how the artist sought to ‘demystify art’, breaking down barriers between artwork, viewer and museum.

Julio Le Parc: Form into Action

Pérez Art Museum Miami – PAMM

Julio Le Parc – La Longue Marché, Étape n° 3 (The Long March, Step n° 3), 1974.

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Julio Le Parc
La Longue Marché, Étape n° 3 (The Long March, Step n° 3), 1974.

Matthew Porter – Gold Hill, 2015

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Gold Hill, 2015
Signed, dated, titled and numbered verso
Archival pigment print in artist’s frame
37-1/4 x 46-1/4 inches
Edition of 5 plus 2 artist’s proofs

Matthew Porter at M+B Art
612 North Almont Drive
Los Angeles, California 90069

Matthew Porter – Hyperion, 2016

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Hyperion, 2016
Signed, dated, titled and numbered verso
Archival pigment print
37-1/2 x 46 inches
Edition of 5 plus 2 artist’s proofs

Matthew Porter at M+B Art
612 North Almont Drive
Los Angeles, California 90069

Fucci – Bored Out Of Her Mind

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Fucci
Bored Out Of Her Mind

Acrylic
48 × 48 in
121.9 × 121.9 cm

Artsy

Wang Guangyi 王广义 – Coca Cola (green), 2006

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Wang Guangyi 王广义
Coca Cola (green), 2006

Lithograph printed in color
35 1/4 × 30 1/4 in
89.5 × 76.8 cm
Edition 184/199

Buy on Artsy

Mark Grotjahn – Pink Cosco Installation at Gagosian Gallery, London

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MARK GROTJAHN Untitled (Yellow Cosco II Mask M40.l), 2016 Painted bronze 59 1/2 x 33 1/4 x 36 1/2 inches 151.1 x 84.5 x 92.7 cm

MARK GROTJAHN Untitled (Yellow Cosco VII Mask M40.o), 2016 Painted bronze 59 1/2 x 33 1/4 x 36 1/2 inches 151.1 x 84.5 x 92.7 cm

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MARK GROTJAHN Untitled (Yellow Cosco II Mask M40.l), 2016 Painted bronze 59 1/2 x 33 1/4 x 36 1/2 inches 151.1 x 84.5 x 92.7 cm

Mark Grotjahn
Pink Cosco

Gagosian Gallery, London

Mark Grotjahn – Untitled (Pink Cosco I Mask M40.a), 2015

Mark Grotjahn Untitled (Pink Cosco I Mask M40.a), 2015 Painted bronze 59 1/2 x 33 1/4 x 36 1/2 inches 151.1 x 84.5 x 92.7 cm

Mark Grotjahn
Untitled (Pink Cosco I Mask M40.a), 2015
Painted bronze
59 1/2 x 33 1/4 x 36 1/2 inches
151.1 x 84.5 x 92.7 cm

Gagosian Gallery, London

Bjarne Melgaard – Untitled, 2011

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Bjarne Melgaard
Untitled, 2011
Oil on canvas
78.74 x 116.93 x 1.97 inches
200.0 x 297.0 x 5.0 cm

Geoff Hargadon – Higher Prices, 2012

Geoff Hargadon – Higher Prices, 2012

Geoff Hargadon
Higher Prices, 2012
Screenprint on corrugated plastic
12 x 18 in (30.48 x 45.72 cm)
24 of 30
Courtesy of artist

Paddle8

Carey Maxon – Influence Schematic I, 2015

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Carey Maxon
Influence Schematic I, 2015
Lithograph on Koller HMP paper

16.25 x 13.00 in
41.3 x 33.0 cm
Edition of 20

Carey Maxon – Influence Schematic II, 2015

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Carey Maxon
Influence Schematic II, 2015
Lithograph on Koller HMP paper

16.25 x 13.00 in
41.3 x 33.0 cm
Edition of 20

Roy Lichtenstein – Finger Pointing (from The New York Collection for Stockholm portfolio), 1973

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Roy Lichtenstein
Finger Pointing (from The New York Collection for Stockholm portfolio), 1973

Screenprint on wove paper
11.8 x 8.8 in (29.97 x 22.35 cm)
Edition of 300
Unsigned; numbered

Paddle8

Lee Dongi – Bubbles, 2016

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Lee Dongi (Korean, b. 1967)
Bubbles, 2016

Acrylic on canvas
27.56 x 27.56 x 1 in. (70 x 70 x 2.54 cm.)
Signed, inscribed, dated and titled on verso; accompanied by a Certificate of Authenticity

Yue Minjun – Untitled, 2003

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Yue Minjun (Chinese, b. 1962)
Untitled, 2003

Oil on canvas
Overall Size: 54.72 x 42.13 in. (139 x 107 cm.)
Framed Size: 55.51 x 42.91 x 0.79 in. (141 x 109 x 2 cm.)
Signed and dated lower right

Artnet

Melodrama – Luxembourg & Dayan

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MELODRAMA, Act 1: London
24 June – 20 August 2016

MELODRAMA is an exhibition in two acts taking place between Luxembourg & Dayan’s London and New York gallery spaces. The show includes seven sculptures and a series of photographs that function as characters in a melodramatic play. Cloaked under commonplace appearances, the works perform dramatic attitudes, generate heightened emotions, and pervade pathos into the gallery space.

Act I: London. Pino Pascali’s ‘fake sculpture’ Coda di Delfino (1966) seems to have already escaped the gallery into the wall leaving nothing more than a trace of its tail. Maurizio Cattelan’s Untitled, taxidermied horse (2007) follows Pascali’s dolphin with a leap of its own, into the opposite wall of the gallery. The plot thickens with Fischli & Weiss’s inanimate black rubber Heart (1987), which lies still on a pedestal, hidden and over- looked like a character in one of Beckett’s plays; the show, however, must go on. Finally, a series of metic- ulous photographs by Franco Vimercati from his Ciclo Zuppiera (1983) generate, as the saying goes, ‘a storm in a tea cup’. These black and white photographs of a soup terrine transform a domestic object into a tragic and melancholic timeless diva.

In New York from 14 July – 17 September, the scene is set with Vincenzo Gemito’s 19th Century bronze bust placed in an unpredictable dialogue with a Jeff Koons cast bronze sculpture. At the same time, Urs Fischer faces a work by Richard Serra, each experimenting with weight and balance – a solid grounding facing precarious uncertainty. End of Act Two.

MELODRAMA was conceived in collaboration with curator Francesco Bonami with the aim to examine structures of exaggerated narratives and performativity in the medium of sculpture. Following the gallery’s recent survey of Alberto Giacometti’s pre-war sculptures in London, and a show of César’s works from the 1960’s in New York, MELODRAMA is the third exhibition in Luxembourg & Dayan’s season of sculptural investigations, a project that traces the blurry line that lies between materiality and imagination in the realm of sculpture.

Luxembourg & Dayan

Banksy – Lenin on Roller Skates, 2003

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Banksy (British, b. 1974)
Lenin on Roller Skates, 2003

Spray paint on canvas
16 x 12 in. (40.64 x 30.48 cm.)
Stenciled with the artist’s signature on the overlap, and numbered ’22/25′ on the stretcher bar; accompanied by a Certificate of Authenticity from Pest Control and a letter of authenticity signed and thumbprinted by Steve Lazarides, London
Edition 22/25 (each unique)

Artnet

Eugenia Loli – Wormhole

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Eugenia Loli, New York
Wormhole
12″x12″ signed print, with additional 3″ border, printed on fine art matte paper with archival inks.

Apar.tv / Spootnik

Superflex – I COPY Therefore I Am

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As part of the Copyshop franchise in Knoxville SUPERFLEX and Copenhagen Brains made T-shirts with Barbara Kruger’s iconic 1986 print work “I shop, therefore i am” altered to read, “I copy, therefore I am.” The Copenhagen dealer Nils Staerk later presented a full-scale printed vinyl version on view at Art Basel 2011.

Superflex

Dimitri Tsykalov – Massacre V, 2014

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Dimitri Tsykalov
Massacre V, 2014

Art Paris

Faile – Bunny Girl (Blue), 2006

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Faile
Bunny Girl (Blue), 2006
Watercolor and silkscreen on paper
23 3/4 × 17 4/5 in
60.3 × 45.2 cm
Edition 7/9

Magnus Gjoen – Delft Knuckle Duster, 2016

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Magnus Gjoen
Delft Knuckle Duster, 2016

Magnus Gjoen – Dei Gratia

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Magnus Gjoen
Dei Gratia
2016
Giclée on 310 gsm photorag
70 X 70 cm
Ed. /80

Magnus Gjoen website

Magnus Gjoen – Last Night I Had a Dream

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Magnus Gjoen
Thus Passes the Glory of the World
2016
Giclée on 310 gsm photorag
50 X 50 cm
Ed. /80

Magnus Gjoen website

Andres Serrano – Bloodscape V, 1989

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Andres Serrano (American, b. 1950)
Bloodscape V, 1989

Diasec mounted Cibachrome print in artist’s frame
Overall Size: 31.5 x 39.76 in. (80 x 101 cm.)
Framed Size: 37.8 x 46.06 x 0.39 in. (96 x 117 x 1 cm.)
Signed, dated and numbered on verso
Edition 6/10

Artnet

Magnus Gjoen – Last Night I Had a Dream

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Magnus Gjoen
Last Night I Had a Dream
2014
308 gsm photorag
100 X 100 cm
Ed. /25

Magnus Gjoen website

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