The Artist as Curator – An Anthology

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The Artist as Curator: An Anthology
Edited by Elena Filipovic
Texts by Alexander Alberro, Monica Amor and Carlos Basualdo, Biljana Ciric, Ekaterina Degot, Elena Filipovic, Claire Grace, Anthony Huberman, Dean Inkster, Alhena Katsof, William Krieger, Elisabeth Lebovici, Ana Longoni, James Meyer, Isabelle Moffat, Nina Möntmann, Natalie Musteata, Sandra Skurvida, Dirk Snauwaert, Lucy Steeds, Monika Szewczyk, and Kaelen Wilson-Goldie
Afterword by Hans Ulrich Obrist

2017
English
416 pages
softcover, 21 x 28 cm
ISBN 9783960981787

This is an anthology of essays that first appeared in The Artist as Curator, a series that occupied eleven issues of Mousse from no. 41 (December 2013/January 2014) to no. 51 (December 2015/January 2016). It set out to examine what was then a profoundly influential but still under-studied phenomenon, a history that had yet to be written: the fundamental role artists have played as curators. Taking that ontologically ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. This anthology surveys seminal examples of such exhibitions from the postwar to the present, including rare documents and illustrations.

It includes an introduction and the twenty essays that first appeared in Mousse, a newly commissioned afterword by Hans Ulrich Obrist, and two additional essays that appear here for the first time, discussing twenty-two exhibitions by the Avant-Garde Argentinian Visual Artists Group; Mel Bochner; Marcel Broodthaers; Hank Bull, Shen Fan, Zhou Tiehai, Shi Yong, and Ding Yi; John Cage; Judy Chicago, Miriam Schapiro, and the CalArts Feminist Art Program; Collaborative Projects Inc. (Colab); Alice Creischer, Andreas Siekmann, and Max Jorge Hinderer; Liam Gillick and Philippe Parreno; Group Material; Richard Hamilton and Victor Pasmore; David Hammons; Martin Kippenberger; Mark Leckey; Goshka Macuga; Lucy McKenzie and Paulina Ołowska; Hélio Oiticica; Walid Raad and Akram Zaatari; Martha Rosler; Avdey Ter-Oganyan; Philippe Thomas; and Andy Warhol.

Co-published with Koenig Books, London

Mousse Publishing

Micol Assaël – ILIOKATAKINIOMUMASTILOPSARO-DIMAKOPIOTITA

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Micol Assaël
ILIOKATAKINIOMUMASTILOPSARODIMAKOPIOTITA
Andrea Lissoni, ed.
Texts by Jens Hoffmann, Andrea Lissoni, and Luca Lo Pinto

This book was created in conjunction with Micol Assaël’s solo exhibition “ILIOKATAKINIOMUMASTILOPSARODIMAKOPIOTITA”, curated by Andrea Lissoni at Pirelli HangarBicocca (Milan, January 31 – May 4, 2014). It brings together, for the very first time, all of the work made by the artist between 1999 and 2014, offering a detailed, in-depth look at her practice.

Micol Assaël’s entire oeuvre is characterized by the use and juxtaposition of different media: drawing, sculpture, installation, performance, video and sound. Her works often have a complex and at times precarious relationship with the variables (size, lighting, temperature, smell) of the setting that houses them. Each one is analyzed in an entry containing a description of the work, a chronicle of its evolution and an outline of its exhibition history.

2016
368 pages
English / Italian
Hardcover, 21.5 x 15 cm
ISBN 9788867492053

Mousse Publishing

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