Emanuela D’Ambrosi – Invisible Monster

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Emanuela D’Ambrosi
Invisible Monster

Emanuela D’Ambrosi, 28, degree in photography at the European Institute of Design in Rome. She owes everything to the photograph which has enabled it to create a deep relationship with reality, to receive it at will. She abandoned her studies in Psychology to follow the path that most preferred, convinced that the two disciplines would complete each other, she preferred to speak in the first person, keeps on having a great passion for the workings of the human mind and the latent intentions of individuals. Citing Susan Sontag: “a photograph is both a pseudo-presence and an indication of a lack”

Behance

Chen Fei – Fine Art at Perrotin

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Chen Fei
Fine Art
Solo Show
Opening Thursday September 7, 4 – 9 pm
September 7 – October 7, 2017

Perrotin Paris proudly presents Chen Fei’s “Fine Art”, Chen Fei’s first solo show in Paris follows 2014’s “Flesh and Me” at Perrotin Hong Kong.

Born in 1983 in Shanxi province, graduated from the Department of Fine Art at the Beijing Film Academy, Chen Fei sardonically exploits art history, raiding the canon to mark its otherness. Scavengers (2010), based on John Everett Millais’s iconic Pre-Raphaelite painting Ophelia (1851-2), shows a young woman wading in a forest pond, shing out Ophelia / Chen Fei’s body (with écorché gut). Xiao Wu Ji (2012), lightly references Manet’s A Bar at the Folies-Bergère (1882), with a bored shop assistant at an electronics stand. In his new paintings however, Chen Fei’s previously incidental investigations into Western and Eastern art history and practice are developed into a central theme.

Perrotin

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