Kenny Scharf – Best Buddies, 1993

Kenny Scharf
Best Buddies, 1993
Serigraph

44.00 x 30.00 in
111.8 x 76.2 cm
Edition of 111
Signed by the artist

Mel Ramos – Gitanes Legeres

mel-ramos-gitanes-legeres

Mel Ramos
Gitanes Legeres

Mel Ramos’s provocative, humorous paintings mix idealized nude women with the imagery of popular culture—Coca Cola bottles, movie posters, and the like. A prolific artist from his emergence in the 1960s onward, Ramos has often based his nudes on the female celebrities of the day, from Marilyn Monroe to Scarlett Johansson. His style references the sensuality and glossy flatness of pin-ups and Playboy spreads and has drawn the ire of feminists and art critics alike, despite Ramos’s assertion that his works are “apolitical”. Though clearly aligned with Pop art in his appropriation of imagery from mass media and consumer products, Ramos calls his practice rooted in Surrealism and its emphasis on “absurd conjunctions”—in his case, a beautiful nude woman emerging from a Snickers wrapper or lounging seductively in a banana split.

American, b. 1935, Sacramento, California, based in Oakland, California

Vanessa Beecroft – VB 35, 1999

vanessa-beecroft-vb-35-1999

Vanessa Beecroft
VB 35, 1999

Vanessa Beecroft’s work is largely performance-based, often featuring female models as living art objects that exist somewhere between figure and object, static and dynamic. Much of Beecroft’s work is informed by her personal struggle with an eating disorder and she consistently explores issues of body image and femininity in contemporary culture. Beecroft’s highly choreographed performance works examine what constitutes the perfect body, as well as the role of context in determining the intricate relationship between viewer and viewed. In her 2011 performance VB67, for example, nude female models were assembled among marble and plaster sculptures, subverting the traditional art viewing experience while emphasizing both the affinities and the stark differences between the living women and the sculptures.

Italian, b. 1969, Genoa, Italy, based in New York, New York

Artsy

Marilyn Minter – Raspberry, 2005

marilyn-minter-raspberry-photographs-chromogenic-print-c-print

Marilyn Minter (American, b. 1948)
Raspberry, 2005

Chromogenic print (c-print)
Overall Size: 26.5 x 40 in. (67.31 x 101.6 cm.)
Framed Size: 29 x 42.13 x 2 in. (73.66 x 107.01 x 5.08 cm.)
Signed on a label accompanying the work
Edition of 5

Artnet

Carey Maxon – Influence Schematic I, 2015

carey-maxon-influence-schematic-i-800x800

Carey Maxon
Influence Schematic I, 2015
Lithograph on Koller HMP paper

16.25 x 13.00 in
41.3 x 33.0 cm
Edition of 20

Carey Maxon – Influence Schematic II, 2015

carey-maxon-influence-schematic-ii-800x800

Carey Maxon
Influence Schematic II, 2015
Lithograph on Koller HMP paper

16.25 x 13.00 in
41.3 x 33.0 cm
Edition of 20

Roy Lichtenstein – Finger Pointing (from The New York Collection for Stockholm portfolio), 1973

roy-lichtenstein-finger-pointing-1973

Roy Lichtenstein
Finger Pointing (from The New York Collection for Stockholm portfolio), 1973

Screenprint on wove paper
11.8 x 8.8 in (29.97 x 22.35 cm)
Edition of 300
Unsigned; numbered

Paddle8

Sixteen Volume 1

sixteen-vol-1

Faile – Bunny Girl (Blue), 2006

faile-bunny-girl

Faile
Bunny Girl (Blue), 2006
Watercolor and silkscreen on paper
23 3/4 × 17 4/5 in
60.3 × 45.2 cm
Edition 7/9

Magnus Gjoen – Dei Gratia

dei-gratia-web

Magnus Gjoen
Dei Gratia
2016
Giclée on 310 gsm photorag
70 X 70 cm
Ed. /80

Magnus Gjoen website

Magnus Gjoen – Last Night I Had a Dream

thus-passes-the-glory-web

Magnus Gjoen
Thus Passes the Glory of the World
2016
Giclée on 310 gsm photorag
50 X 50 cm
Ed. /80

Magnus Gjoen website

Magnus Gjoen – Last Night I Had a Dream

last-night

Magnus Gjoen
Last Night I Had a Dream
2014
308 gsm photorag
100 X 100 cm
Ed. /25

Magnus Gjoen website

Damien Hirst – The Souls IV (Westminster Blue/Silver Gloss), 2010

the-souls-iv-westminster-blue-silver-glossdhi-88-1441980137-15-5ap-309

Damien Hirst (British, b. 1965)
The Souls IV (Westminster Blue/Silver Gloss), 2010
2 color foil block on 300gsm Arches 88 archival paper
Signed by the artist
72 x 51 cm (28.3 x 20 in)
Edition of 15 + 5 AP

Fine Art Multiple

Christopher Wool – Page from Black Book, 1989

christopher wool page from black book prints and multiples

Christopher Wool (American, b. 1955)
Page from Black Book, 1989
Page removed from bound book, printed on wove paper
22.75 x 15.75 in. (57.78 x 40 cm.)

Damien Hirst – The Cure (Bright Orange/Orchid/Air Force Blue)

damienhirstschizophrenogenesis3-1

Mel Ramos – Burning Flame: La Bomba, 2012

mel-ramos-burning-flame-la-bomba-2012

Mel Ramos
Burning Flame – La Bomba, 2012
Lithograph printed in colors
80 x 60 cm (31.5 x 23.62 in)
Edition of 200
Signed in pencil on lower right, recto; numbered in pencil on lower left, recto

Mark Leckey – RFID Chip, 2011

mark-leckey-rfid-chip-800x800

Mark Leckey
RFID Chip, 2011
Two-color silkscreen with aluminum leaf on Somerset paper.
12.36 x 12.36 in
31.4 x 31.4 cm
Edition of 150
Signed and numbered by the artist.

Takashi Murakami – And Then and Then (Pink), 2011

takashi-murakami-and-then-and-then-pink-2011

Takashi Murakami
And Then and Then (Pink), 2011
Offset lithograph printed in colors on smooth wove paper
68 x 68 cm (26.77 x 26.77 in)
Edition of 300
Signed and numbered on lower right, recto

Banksy – Monkey Queen, 2003

banksy-monkey-queen-2003

Banksy
Monkey Queen, 2003
Screenprint on wove paper
49.3 x 34 cm (19.41 x 13.39 in)
Edition of 750

Jasperware Uzi by Magnus Gjoen

jasperware-uzi-web

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