Victor Brauner – Signe (Le vent), 1942

Victor Brauner – Signe (Le vent), 1942

Victor Brauner
Signe (Le vent), 1942
Cimetière de Montmartre, Paris

Csilla Klenyanszki

Csilla Klenyanszki

klenyanszki.com

Spirit Sisters

Spirit Sisters #spiritsistersmademedoit

Spirit Sisters #spiritsistersmademedoit

Spirit Sisters #spiritsistersmademedoit

Spirit Sisters #spiritsistersmademedoit

Spirit Sisters #spiritsistersmademedoit

Spirit Sisters #spiritsistersmademedoit

We are the Spirit Sisters; a creative duo from Los Angeles, CA. The spirit sister Creators are artists Brandi Howe and Chloe Holmes. We Produce content that takes people out of their element our slogan is “spirit sisters made me do it” When you take people out of their element you get such a unique emotion which for us makes superb content. Our brand includes art, fashion, photography, production and travel.

Follow us on Instagram account to catch the vibe and see more work at: @spirit_sisters and our hastag #spiritsistersmademedoit

Spirit Sisters
@spiritsistersmademedoit

Jean-Michel Basquiat – Untitled (Rinso), 1982

Jean-Michel Basquiat - Untitled (Rinso), 1982

Jean-Michel Basquiat
Untitled (Rinso), 1982
Screenprint
40 × 40 in
101.6 × 101.6 cm
Edition of 85

Jean-Michel Basquiat – Mad King, 1981

Jean-Michel Basquiat - Mad King, 1981

Jean-Michel Basquiat – La Hara, 1981

Jean-Michel Basquiat - La Hara (1981)

Jean-Michel Basquiat
La Hara, 1981

Baron Von Fancy – Babe, 2017

Baron Von Fancy - Babe, 2017

Baron Von Fancy
Babe, 2017
Print
Screenprint

16.00 x 20.00 in
40.6 x 50.8 cm
Edition of 100
Edition: 100 – Signed & Numbered

George Condo – Robot Girl, 2012

George Condo - Robot Girl, 2012

George Condo
Robot Girl, 2012
Patinated bronze
11 × 7 × 6 in
27.9 × 17.8 × 15.2 cm
Edition 2/4 + 1AP

George Condo Bio

George Condo’s work is populated by a cast of characters whose bulging eyes, bulbous cheeks, proliferating limbs, and hideous over – and under-bites set them apart as a singular species. Drawing on vastly diverse painting practices—like Pablo Picasso, Diego Velázquez, Henri Matisse, and Cy Twombly—Condo absorbs a vast range of art-historical sources, yet, at the same, creates a pictorial language characteristically his own, one that investigates the macabre, the carnivalesque, and the abject. He calls his surrealistic style “psychological cubism”, exploiting “our own imperfections—the private, off-moments or unseen aspects of humanity—that often give way to some of painting’s most beautiful moments.” Even Condo’s most abstract works, like Internal Space (2005) with its impenetrable geometric scaffolding of forms radiating from the painting’s center, explore the furthest extremes of the human psyche.

American, b. 1957, Concord, New Hampshire, based in New York, New York

The Violence of Financial Capitalism – Christian Marazzi

The Violence of Financial Capitalism

TSA No Fly List Vacuum Sealed by Christian Marazzi
“The Violence of Financial Capitalism”
100 Bitcoin gold plated bar, 2013

Current worth (1 Dec 2017) > $1,000,000

Jean-Michel Basquiat – Rinso, 1982-2003

Jean-Michel Basquiat - Rinso, 1982-2003

Jean-Michel Basquiat
Rinso, 1982-2003

Screenprint in colors

40.00 x 40.00 in
101.6 x 101.6 cm
Edition of 85

This work is signed by the estate.

Buy, Buy
Artspace

Beautiful New Worlds – Virtual Realities in Contemporary Art

Beautiful New Worlds - Virtual Realities in Contemporary Art

View of Myths of the Marble, ICA, Philadelphia, Florian Meisenberg, Of Defective Gods & Lucid Dreams (The Museum is Closed for Rennovation), 2017. © and courtesy the artist.

Beautiful New Worlds
Virtual realities in contemporary art
November 11, 2017 — April 8, 2018

Zeppelin Museum
Seestraße 22
88045 Friedrichshafen
Germany

The popularization of virtual reality has created a visual revolution that radically changes both our perception of images and our relationship to reality. Virtual spaces create illusionary worlds that can be directly experienced. Viewers immerse themselves in impressions as far away as possible from the outside world, thereby becoming physically involved through interactive elements that resemble their body. Through virtual reality, the audience becomes part of an image that fills their entire field of vision.

Technologies suitable for mass consumption, such as VR glasses, 3D cardboards, 3D projectors and televisions, are increasingly found in everyday life. The various fields of application for these technologies, including 3D-supported operation monitoring, video games, trauma coping and the digitization of lost cultural treasures all illustrate how virtual spatial images already influence different areas of our world and will continue to shape our future.

The exhibition Beautiful New Worlds addresses these recent developments in image technology and explores the resulting entanglement of virtual and physical spaces. A particular focus is placed on the socio-political potential of virtual technologies. In the crosshairs between illusion and critical distance, different artistic positions examine the possibilities presented in the fields of forensics, the porn industry, and modern warfare; after all, control over virtual space is always interlinked with control over physical space. Virtuality and reality are tightly intertwined with one another.

The escape into illusionary worlds is by no means a new phenomenon. Rather, it is grounded in long traditions. Panoramas, dioramas and stereoscopes illustrate the centuries-old history of mankind’s interest in immersive media. The starting point of the exhibition are stereoscopic photographs, which accompany the history of the Zeppelin from 1900 to the 1930s.

In an exhibition space spanning over 1000 square meters, 13 internationally renowned artists will address the relationship between virtual and physical spaces. In this way, the exhibition reflects different varieties of virtuality. Together with the Berlin-based architecture firm Kooperative für Darstellungspolitik, an exhibition course was created in order to make the complex relationship between virtual and physical spaces bodily perceptible for the audience. The range of virtual reality is explored through simulations in which the physical environment is artificially reproduced, through 3D videos, and through virtual reality spaces that create an all-encompassing illusionary space.

Working closely together with immersive visual media, the artists have collaborated with programmers to further develop the existing technology and revitalize the interdisciplinary interface between contemporary art and technological innovation.

Participating artists: Halil Altindere, Salome Asega & Reese Donohue & Tongkwai Lulin, Trisha Baga, Banz & Bowinkel, micha cárdenas, Harun Farocki, Forensic Architecture, Sidsel Meineche Hansen, Florian Meisenberg, The Nest Collective

zeppelin-museum.de

Jeff Koons – Michael Jackson and Bubbles, 1988

Michael Jackson and Bubbles, 1988

Jeff Koons
Michael Jackson and Bubbles, 1988
porcelain
42 x 70 1/2 x 32 1/2 in. (106.68 x 179.07 x 82.55 cm)

Performa 17

Performa 17

Performa 17

Performa 17
November 1–19, 2017

Performa
New York

17.performa-arts.org

Performa, the internationally acclaimed organization dedicated to live performance across disciplines, announces Performa 17—the seventh edition of the Performa Biennial, to take place November 1–19, 2017, at locations throughout New York City.

Performa 17 will present commissions and projects that examine immediate and critical concerns confronting our urban centers, the shifting political and cultural currents of our turbulent world today, and ultimately the role of the arts and of artists within our communities. This edition of the Biennial will focus on the sociopolitical context informing contemporary art today, and how best to engage audiences in significantly understanding and absorbing its aesthetics and intrinsic values.

Artists featured in Performa 17 include:

Yto Barrada (Morocco/France) / Brian Belott (USA) / Xavier Cha (USA)* / François Dallegret (France/Canada) with Dimitri Chamblas (France) and François Perrin (France/USA) / Teju Cole (Nigeria/USA) / Merike Estna (Estonia)* / Kendell Geers (South Africa)* / Nicholas Hlobo (South Africa) / Flo Kasearu (Estonia) / Richard Kennedy (USA) / William Kentridge (South Africa) / Barbara Kruger (USA) / Kemang Wa Lehulere (South Africa) / Kris Lemsalu (Estonia) with Kyp Malone (USA) / Julie Mehretu (Ethiopia/USA) and Jason Moran (USA) / Maria Metsalu (Estonia)* / Mohau Modisakeng (South Africa) / Zanele Muholi (South Africa) / Wangechi Mutu (Kenya) / Narcissister (USA)* / The Nest Collective (Kenya) / Kelly Nipper (USA) / Eiko Otake (Japan/USA)* / Tabita Rezaire (France/South Africa) / Jimmy Robert (France) / Bryony Roberts (USA) and Mabel O. Wilson (USA)* / Tracey Rose (South Africa) / Alex Schweder (USA) and Ward Shelley (USA) / Kwani Trust (Kenya) / Anu Vahtra (Estonia) / Gillian Walsh (USA)*

* indicates a Performa 17 consortium project. The Biennial Consortium is a selective network of New York City’s art and cultural institutions, all presenting and supporting performances and exhibitions that align with the Performa 17 biennial. Performa consortium projects are separately funded and produced by each consortium member, unless otherwise indicated.

Falling Rock (Rosequartz) – Buro Belén

Falling Rock (Rosequartz)
Buro Belén

Falling Rock (Rosequartz) is part of the Falling Rock table series that suit the contemporary interior. The table combines of contrasting mediums: it has a soft textile base on which sits a hard stone slab. The fabric embraces the rough edged stone that forms a polished tabletop. Rosequartz for the table comes from Belén, Brasil.

Buro Belén

Buro Belén is founded by designers Brecht Duijf and Lenneke Langenhuijsen, who met at The Design Academy Eindhoven, The Netherlands. They state that Belén designs from material. Central to their approach are the intuitive, emotional and physical aspects of design, resulting in products and visions that show unexpected applications of material and colors, as well as revaluations of conventional techniques. Belén works on material and color concepts in the field of product, interior and exhibition design. Commissions include work for Georg Jensen, Villa Noailles, Hyères, Textiellab Tilburg and others. Belén’s work has been exhibited at The Textile Museum Tilburg, Boijmans van Beuningen Rotterdam, Palazzo Clerici Milano. Currently they teach at The Design Academy Eindhoven and Artemis Akademie Amsterdam.

Chamber, NYC

Power Station of Art – Fifth Anniversary

Power Station of Art Fifth anniversary

Fifth anniversary

Power Station of Art
200 Huayuangang Rd
200011 Shanghai
China

Since its inauguration on October 1, 2012, Shanghai’s Power Station of Art (PSA) has so far, in its five years of operations, hosted 51 exhibitions (including three Shanghai Biennales), welcomed nearly 10,000 visitors at most on a daily basis, attracted average visitors of 320,000 every year, and organized nearly 400 educational events such as lectures, performances, and children’s activities. For these five years, the Shanghai Biennale, now accommodated by PSA, has been seeing vast improvements in terms of brand recognition and pioneering significance, whilst properly breaking limits of culture, geography and academic authority to voice its own pursuits. The Architecture & City exhibitions and Researches and the Emerging Curators Project, both launched in 2014, as well as the PSA Collection Series, first started in 2015, have all served as strong manifests of the art museum’s attitudes and visions. And PSA’s sub-spacepower station of DESIGN (psD) and theatrical program ReActor, both operational from 2016, have brought design and social theater into the museum to form with it an organic body that narrates a more comprehensive and vivid contemporary landscape and thinking pedigree.

For now, PSA is hosting chief curator selection and preparation for the 2018 12th Shanghai Biennale. While all remain uncertain, museum director Gong Yan said: “I hope that all future curators can dig deeper into Shanghai’s historical backdrop to identify its unique urban culture, and pull the city back to cultural contexts of China and Asia with more diversified perspectives.”

In 2013, PSA inaugurated the Architecture & City exhibitions and researches, thus becoming China’s first contemporary art organization to include urban architecture into its exhibition system. By PSA’s 5th Anniversary, it has staged 13 architectural exhibitions, including solos for three Pritzkerwinners, Renzo Piano, Toyo Ito, and Shigeru Ban.

Boosted by the PSA Collection Series, PSA will continue to enrich its permanent collections. It currently houses works by both Chinese and international artists like Cai Guoqiang, Datong Dazhang, Li Shan, Joseph Beuys, Yona Friedman, Toyo Ito, and Kazunari Sakamoto. In the future, PSA will continue to expand the boundaries of its collections, taking in non-material works such as sounds and performances, with a plan to set up an exhibition hall dedicated to such collections within the next 3 to 5 years.

As the first public contemporary art museum on the Chinese mainland, PSA has dedicated itself to spreading contemporary cultures and thoughts, promoting cross-disciplinary exchanges, exploring possibilities of Anthropocene arts, and creating new urban cultures and lives.

In 2018, upcoming exhibitions:
–a large-scale solo of French artist Christian Boltanski
–the 12th Shanghai Biennale (November 10, 2018)

Please refer to the PSA website to confirm the exhibition dates.
Upcoming architectural exhibitions

Shigeru Ban-Works and Humanitarian Activities
October 8–November 30, 2017

Superstudio 50
November 17, 2017–November 3, 2018
a project co-produced with Italy’s MAXXI (Museo Nazionale delle Arti del XXI secolo)

www.powerstationofart.com

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