Perfume — The Best — P3
Design
International Poster Book 2019 / Graphic Design Festival Scotland
International Poster Book 2019 / Graphic Design Festival Scotland
This volume includes 152 posters selected to be exhibited at Graphic Design Festival Scotland 2019. The posters were selected from a rich field of over 8,500 submissions from eighty-six countries.
This year’s competition jury consisted of Warriors Studio, The Rodina, and Spassky Fischer.
The 2019 catalog includes interviews with a number of winning international designers: Formes Vives; Zhongkai Li & Evan Chang; Sangah Shin; Matt Asato-Adams; Mark Bohle, Nam Huynh & Raffael Kormann; Nicos Terzis; DR.ME; Lamm & Kirch; Daniele Morganti; and Fons Hickmann.
Collections of contemporary posters are a useful resource for designers, artists, students, and others seeking inspiration or simply to stay aware of current practices in graphic design and poster art. This collection, like previous publications from Graphic Design Festival Scotland, is a carefully curated reflection of contemporary poster work from around the world.
Designed by Warriors Studio
Published by Graphic Design Festival Scotland, 2019
Printed in an edition of 1200 copies
Softcover with full-color wrap, 200 pages, full color, 8 × 10.5 inches
Sapsucker
Sapsucker Branding
Sapsucker is an organic, plant-based, all-natural, and sustainably sourced tree water with no added sugar.
Akt Packaging
Akt Deodorant Balm Packaging by Two Times Elliott
Two Times Elliott is an award winning, design consultancy producing a diverse range of work spanning across brand identity, art direction, spatial and website design.
LogoArchive ExtraIssue – Letters As Symbols
LogoArchive ExtraIssue – Letters As Symbols
LogoArchive was conceived, designed and sent to print in a day. It was inspired by a panel discussion at Somerset House as part of the exhibition Print!
Now on to its seventh release, LogoArchive continues to surprise and delight within the context and practice of archival, reconfiguring itself with each new issue. The distinctive smaller format offers ample license to experiment and collaborate with other like-minded resources. Christophe De Pelsemaker’s Logo Books, an online archive of pages from out-of-print publications dedicated to trademarks, is one such resource.
Christophe’s own book, Letters As Symbols, a collaborative endeavour with Belgian designer Paul Ibou, sought to bring to life and uniquely document symbols based on the letters of the alphabet and present these from A–Z. Letters As Symbols has a unique and unusual story and journey to publication. This began in 1991 and culminated in its eventual release in 2019. This LogoArchive ExtraIssue intends to offer readers a sample of Letters As Symbols, presenting one example for each of the 26 letters, and tell the story of the book. In addition, the iconic booklet of LogoArchive becomes a bright yellow folder to hold examples of the original Letters As Symbols submission forms received in 1991 from well-respected designers such as Félix Beltrán, Woody Pirtle and Rolf Harder. These provide contextual richness in either their typed or handwritten details.
LogoArchive is delighted to have been able to tell the story of Letters As Symbols, and to collaborate with Christophe on the concept, design and content of this issue.
Design: Richard Baird / LogoArchive
Publisher: BP&O
Size: 148x210mm
Booklet:
Pages: 10pp + Cover
Finish: Black
Paper: Colorplan Factory Yellow 135gsm
Insert:
Pages: 12pp
Finish: Black
Paper: Fedrigoni Freelife Gloss 115gsm
Binding: Black Staples
Albrecht by Marius Roosendaal
Marius Roosendaal
Albrecht
Typography
Albrecht stems from traditional black letter calligraphic techniques. While holding true to the rigid and sharp nature of the gothic script, the letters are structured on a grid system built up out of a small set of elements, creating a consistent texture throughout. Albrecht Durer’s had a similar modular approach of the gothic alphabet in his 1522 Underweysung der Messung mit dem Zirckel und Richtscheyt.