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Jean-Michel Basquiat
Untitled
Signed “Jean-Michel Basquiat” on the reverse
Tempera and oilstick on paper
40 x 32 in. (101.6 x 81.3 cm)
Executed in 1982, this work is accompanied by a certificate of authenticity from the Authentication Committee of the Estate of Jean-Michel Basquiat.

Provenance
Tony Shafrazi Gallery, New York
Patricia Faure Gallery, Santa Monica
Private Collection
Christie’s, New York, May 20, 1999, lot 187
Acquired at the above sale by the present owner

Artist Biography
Jean-Michel Basquiat
American, 1960 – 1988

One of the most famous American artists of all time, Jean-Michel Basquiat first gained notoriety as a subversive graffiti-artist and street poet in the late 1970s. Operating under the pseudonym SAMO, he emblazoned the abandoned walls of the city with his unique blend of enigmatic symbols, icons and aphorisms. A voracious autodidact, by 1980, at 22-years of age, Basquiat began to direct his extraordinary talent towards painting and drawing. His powerful works brilliantly captured the zeitgeist of the 1980s New York underground scene and catapulted Basquiat on a dizzying meteoric ascent to international stardom that would only be put to a halt by his untimely death in 1988.

Basquiat’s iconoclastic oeuvre revolves around the human figure. Exploiting the creative potential of free association and past experience, he created deeply personal, often autobiographical, images by drawing liberally from such disparate fields as urban street culture, music, poetry, Christian iconography, African-American and Aztec cultural histories and a broad range of art historical sources.

Phillips

Juan Francisco Elso: Essays on América (Juan Franciso Elso: Ensayos sobre América)
bilingual monograph co-published by El Museo del Barrio and [NAME] Publications

El Museo del Barrio is delighted to present Juan Francisco Elso: Essays on América (Juan Franciso Elso: Ensayos sobre América), a bilingual monograph co-published with [NAME] Publications. Edited by Olga Viso, the publication investigates the brief yet significant career of the late Cuban artist Juan Francisco Elso (1956–88), mapping the constellations in and around his life and work, including his interest in Afro-diasporic cosmologies and religious practices and the Indigenous arts of the Américas. The publication complements the exhibition Juan Franciso Elso: Por América on view at El Museo (through March 26, 2023) and traveling to Phoenix Museum of Art (May 6–September 17, 2023), and the Museum of Contemporary Art, North Miami (November 1, 2023–March 17, 2024). The contextual nature of the exhibition, which places Elso’s work in dynamic dialogue with a multigenerational group of artists from throughout the Americas, informs the design (by Shan James and James Goggin of Practise), and structure of this comprehensive, fully illustrated volume which will both serve as the definitive reference on Elso’s work, as well as offer new lenses through which work by artists from the Caribbean may be considered.

“The singularity and legacy of Juan Francisco Elso’s oeuvre, currently on view at El Museo, is further amplified by this important monograph, which gathers a multitude of voices, old and new, to reflect on Elso’s prescient and decolonial practice. This new publication co-published by El Museo del Barrio and [NAME] Publications offers a stimulating context that makes scholarship about the artist available in both English and Spanish for the very first time.” Said Patrick Charpenel, Executive Director, El Museo del Barrio.

Richly illustrated with plates and illustrations, the publication includes newly commissioned essays by U.S.-based art historians Olga Viso, Erica Moiah James, and Gean Moreno, whose texts explore the African, Afro-Caribbean, Mesoamerican, and Indigenous references in Elso’s art, and introduce new theoretical perspectives to Elsos’s work as informed by contemporary race and diasporic studies. The book will also include reprints and historical writings from recognized experts on the artist, including Rachel Weiss, Orlando Hernández, and Cuauhtémoc Medina, all translated into English for the first time. The voices and perspectives of Elso’s network of artists and collaborators are present in the form of personal reflections, and include Coco Fusco, Jimmie Durham, Graciela Iturbide, and Javier Téllez, among others. Finally, a newly researched and fully illustrated chronology detailing the life and career of Elso will be included, which will not only reveal previously unknown facts, but will also correct previously published errors in the artist’s historiography.

“This publication,” notes Viso, “not only provides long-awaited translations of foundational texts written about the artist 20 years ago but also premieres significant new scholarship that elucidates Elso’s connections to the Black Atlantic and brings a contemporary lens to bear on Elso’s oeuvre, grounding it in Caribbean and hemispheric cultural studies. It also highlights the voices of artists who reflect on Elso’s life, art and legacy.”

About [NAME] Publications
Established in 2008, [NAME] Publications is a non-profit press based in Miami, Florida co-directed by Gean Moreno and Natalia Zuluaga. In addition to its own edited volumes, which we have curated with leading artists, scholars, and designers, we have also worked closely with curators and institutions on a variety of editorial, archival, and research projects. Our practice proposes an expanded notion of publishing that includes curating, editing, researching, and writing and challenges the conventions of exhibition catalogues. Over the years, our partners have grown to include many esteemed cultural institutions, such as the De Appel, Kunsthalle Zurich, INSTAR, El Museo del Barrio, Visual AIDS, Contemporary Art Museum Houston, Bemis Center for Contemporary Arts, The Cisneros Fontanals Art Foundation, the Jorge and Darlene Pérez Collection, and Verso.

El Museo del Barrio