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ART

Hallucinations By Jordan Sullivan

in Photography Comment

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Hallucinations
By Jordan Sullivan

Jane & Jeremy’s second book with Jordan Sullivan, ‘Hallucinations’ focuses on his inner geographical movements between the desert and the sea. Lines, horizons and colours converge to create collages of multiple places, a landscape of the heart and soul. The publication features 41 images shot in the Central Valley of California, Trinidad & Tobago, Death Valley and along the coast of Denmark. Jane & Jeremy’s first book with Jordan titled ‘After the Funeral’ was named one of the best books of 2016 by IMA Magazine (Japan).

145mm x 200mm
Foil blocked cover
48 pages
With signed print and poem
First Edition of 100
Hand numbered

Jane & Jeremy

Frans Hals Museum Identity

in Design Comment

Frans Hals Museum Identity Logo

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Frans Hals Museum Identity

The Frans Hals Museum in Haarlem is mainly known for its old masters from the Dutch golden age. De Hallen for its collection of contemporary art. Both museums decided to merge, and will from now on operate under one identity, which must represent art of the seventeenth as well as the twenty first century.

The new museum became a place where opposites meet. This concept comes to life in a colourful way when collections blend into each other in exhibitions, but also in every single detail in and around the museum.

Bringing opposites together lends more meaning and relevance to both collections and manages to appeal to a wider group of people than the sum of their own original audiences.

Kesselskramer

Lauren Huret: Praying for My Haters

in Art Comment

Lauren Huret, Manila Stories (Chasing ghosts on social media), 2018.

Lauren Huret
Manila Stories (Chasing ghosts on social media), 2018

Lauren Huret: Praying for My Haters
Centre Culturel Suisse, Paris
February 3–April 28, 2019
Opening: February 2, 6–9pm

For her first solo show in France, Lauren Huret zooms in on an invisible aspect of the Internet: the deletion of images which, paradoxically, leave traces. To stem the flow of violent, offensive and traumatizing images constantly bombarding platforms like Facebook and Instagram, social networking services call on subcontractors who employ hundreds of thousands of behind-the-scenes “content moderators,” in many cases halfway round the world, to sift through and filter out this toxic content. Lauren Huret combines her research with in-the-field documentary practice, filming sweatshops in Manila where the daily task of viewing and filtering toxic videos and photographs is outsourced to an invisible workforce. In her new film and through a sculptural architectural model that reflects the labyrinthine system of these remote offices and networks, she fuses documentary with a haunting surreal phantasmagoria that evokes the murky world of these invisible net scrubbers, whose harrowing work is shrouded in secrecy.

Centre Culturel Suisse, Paris

Architizer: The World’s Best Architecture

in Architecture Comment

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Architizer
The World’s Best Architecture

A spectacular celebration of the most inspiring contemporary architecture from around the globe.

The Architizer A+Awards represent a celebration of the year’s best architecture and products from a group of influencers bigger than just the architectural community. Entries are judged by more than 400 luminaries from fields as diverse as fashion, publishing, product design, real-estate development, and technology, and voted on by the public, culminating in a collection of the world’s finest buildings. This year, the celebration is going global. In lieu of an awards gala, the architects’ work is honored via this fully illustrated book, a podcast, and the largest online architecture community on the planet. Featuring select A+Award winners and other works, this is the definitive guide to the year’s best buildings and spaces.

Format: Hardback
Size: 290 x 250 mm (11 3/8 x 9 7/8 in)
Pages: 280 pp
Illustrations: 500 illustrations
ISBN: 9780714878706

Phaidon

Thonik: Why We Design

in Design Comment

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Thonik: Why We Design
Contributors Aaron Betsky, Adrian Shaughnessy, Gert Staal, Nikki Gonnissen, Thomas Widdershoven

Everybody is a designer! But why? Why do we color, organize, and form the world around us – and why do we call that a profession?

In this book, thonik, the Amsterdam-based studio led by lauded designers Nikki Gonnissen and Thomas Widdershoven, researches eleven personal reasons why they design – from the need to create impact to a constant search for independence; from the benefits of systems to the urgency of play. Additionally Why We Design looks back on twenty-five years of design practice and speculates on the future of graphic design.

thonik was founded in 1993 and specializes in visual communication, graphic identity, interaction, and motion design. To the studio it is important to create work that sets apart and differentiates, work that sparks discussions and initiates change – one design at a time.

Design: Thonik
17 × 24 cm, 6 ¾ × 9 ½ in
352 pages, 560 illustrations
paperback
2019, 978-3-03778-556-0, English

Lars Müller Publishers