CURA. 28 — The Ultimate Body Issue

CURA. 28

CURA. 28
The Ultimate Body Issue

Our yearlong investigation into the body continues
CURA. 28 is devoted to different artistic experiences and practices—crossing generations, time, space, and media—revolving around the boundaries, powers, forms and interpretations of the body that exist within the present world.

What’s more

Bodies on the cover
A double cover by artists Amalia Ulman and Hannah Levy is presented by texts from Travis Diehl and Kat Herriman. In Ulman’s work the body—her body—is both the protagonist of a relentless re-enactment and a means to question the boundaries between illusion and truth. Levy’s sculptural installations and performances explore the figure and its politics through the objects we surround ourselves with.

Body of Work
Vincent Honoré’s conversation with Lynn Hershman Leeson provides an opportunity to delve into the artist’s multiform production, capable of creating a bridge between the political movements of the ’60s and the most contemporary themes of technology and science. Prem Sahib and Celia Hempton have been invited to reflect visually on their “body of work,” creating links between their own artistic production and the images which shape their personal imaginary: their visual essays are introduced by Huw Lemmey and Kathy Noble.

Political Bodies
Three essays reflect on the body from different perspectives: the dancing body, the loving body, and the collective body. Manuel Segade writes about the practice of voguing and radical performance, analyzing, amongst other examples, Charles Atlas’ major work Butchers’ Vogue and Glenn Ligon’s Condition Report; Fiona Alison Duncan talks about her project Pillow Talk, intended as a platform to discuss sex, gender, and love in our discomforting, novel, and wild time; finally Penny Rafferty interprets a selection of artistic collectives, examining their modes of production and communication tactics.

The Conversations
Anna Gritz enters into a dialogue with Sidsel Meineche Hansen about her ongoing research on sex dolls and robots; Piper Marshall’s 25 questions are this time addressed to Madeline Hollander, who explains the processes and concerns at the heart of her choreographic performances; while Margot Norton retraces with Anna K.E. the pivotal moments of the artist’s production, from her early video works to her most recent installations.

What’s HOT!
The HOT! section is devoted to a series of artists who—using different media and working in a variety of contexts—focus on the body as a subject, a theme, a key to understand the structure and the mechanisms of the surrounding world: Aria Dean is presented by Attilia Fattori Franchini; Louis Fratino by Alex Bennett; Young Joon Kwak by Ceci Moss; Julien Ceccaldi by Whitney Mallett; Stine Deja by Alice Bucknell; Paul Mpagi Sepuya by Nikki Darling; Yu Ji by Todd Von Ammon; D S Chapman by Micol Hebron; Nabuqi by Loïc Le Gall.

You can find CURA. 28 “The Ultimate Body Issue” in the best international bookshops in Italy and abroad, order your copy on CURA. website or find it at Art Basel (June 14–17). Or… stop by BASEMENT ROMA and buy one.

CURA. 28

CURA. 27

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CURA. 27 Issue is out now!

A brand-new yearlong investigation aims to bring us into the sinuous folds of the body: body as a revolutionary field, as a space for antagonism and freedom, as an area of self-definition, questioning new identities, gender, race, and humanity. Body/antibody dichotomy expresses the relation between presence and absence, disclosure and concealment, materiality and virtuality.

Featuring a cover by George Henry Longly, launched for the event of his solo show at Palais de Tokyo in Paris, the curator Adélaïde Blanc investigates the strategies by which Longly questions presentation systems and visual codes; while Milovan Farronato focuses upon the artist’s work on epidermal surfaces, Lucia Pietroiusti initiates a discourse on implosion, collapse, and fall. All texts explore the complexity of Longly’s work, creating an intense dialogue with a series of enigmatic masks, created especially for the occasion.

Starting his new section, Mathieu Copeland talks about anti-bodies within the body of art institutions; in dialogue with Hans Ulrich Obrist, Barbara Hammer explains how the human body can become a space of freedom, action, and disruption; Vincent Honoré speaks with Eleanor Antin about her seminal work, CARVING: A Traditional Sculpture (1972), and her recent CARVING: 45 Years Later (2017); Ellen Blumenstein’s seven exemplary artworks, here accompanying Kate Cooper’s images, reflect upon the body as “an interface in which subject and collectivity meet and the scenario in which the relationship between the two elements is negotiated”; Ben Vickers’ conversation with Kenric McDowell extends their dialogue on the AI and the broader impact and cooperation between human and machine; Marianna Simnett, introduced by Maitreyi Maheshwari, presents a visual essay of bodies and their relation to abjection, horror and monstrosity.

The series of conversations continues with Donna Huanca and Venus Lau, discussing the skin and body as sculpted, painted and performed; Chris Sharp examines the corporeal materiality and flexibility of ektor garcia’s work; Piper Marshall’s 25 questions to Eric N. Mack help us identify the main interests of his research on tactile assemblages; fabrics are also the focus of the young artist and designer, Lou Dallas, interviewed by Fiona Alison Duncan; Manuel Solano is the protagonist of an intimate dialogue with João Mourão and Luís Silva, in which he reveals the profound reasons behind a performative work where body is exposed, transformed, and reimagined.

The new series of portraits introduce four different approaches to themes of racial, sexual, and anatomical identities: Wu Tsang—by Noemi Y. Molitor—Christina Quarles—with Claudia Mattos—Andrea Crespo —with Alise Upitis—and Tabita Rezaire—by Oulimata Gueye.

The HOT! section is devoted to three hot artists: Cooper Jacoby (introduced by Annie Godfrey Larmon), Carly Mark (by Katja Horvat), and Nicholas Cheveldave (by Lennart Wolff).

The first issue of CLUBBING fanzine, guest-edited by Martha Kirszenbaum, is also launched on the occasion of CURA. #27, including Dick Jewell with Jesse McKee, Fleur Breteau’s extract, Samuel Kirszenbaum photos, and an original downloadable mix by Palestinian DJ SAMA. The fanzine is available for the international distribution and subscribers only.

Get Cura. 27

Cura. No.24 
Limited Edition

Special Limited Edition Lenticular Cover
by Yves Scherer
Edition of 100 copies numbered

More awesome.

CURA. NO.24 
LIMITED EDITION

Cura. No.24

Cover by Yves Scherer

Inside the Cover
Yves Scherer
by Abaseh Mirvali

Pop up Section
the Machine
A year-long section edited
by Anthony Huberman
Text by Robert Snowden
Images by Lutz Bacher

Portraits in
the Exhibition Space
Walter Hopps will be here in 20 minutes
by Lorenzo Benedetti

CURA. NO.24

Cura No.23

Cura Magazine

Goldschmied & Chiari – La Démocratie Est Illusion

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Goldschmied & Chari
La Démocratie Est Illusion
Cura Books

La démocratie est illusion is a monographic publication by Goldschmied & Chiari, artists’ duo composed by Sara Goldschmied (1975) ed Eleonora Chiari (1971). The volume, published on the occasion of the solo exhibitions held at Passerelle Centre d’art contemporain in Brest and Villa Croce Museo d’arte contemporanea in Genova, collects the images of the works produced in the last two years on the relationship between the activities of the intelligence agencies and the practices of magic and illusionism in the Cold War era. The book accompanies the reader through an imaginary and real itinerary, between history and trickeries, from the installation and performance Hiding the Elephant – referring to the people who “mysteriously” disappeared, who were exiled or persecuted during the Cold War – to the last works of the series Untitled Views – digital prints on mirror in which the artists experiment the theatrical effects of colored smoke bombs. Along with the images, the book contains a conversation between Goldschmied & Chiari and Marcella Beccaria and the texts by Etienne Bernard and Ilaria Bonacossa, respectively curators of the show in Brest and Genova.

Dimension: 200 x 260 mm Hardcover
Pages: 134
Editor: Goldschmied & Chiari
Texts by: Marcella Beccaria, Etienne Bernard and Ilaria Bonacossa
Designed by Walter Santomauro
Edition of 1.000 copies
Year: 2016

Cura 22

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Cura 22 Magazine

Cover by Sol Calero

Inside the Cover
Sol Calero text by Adam Carr

Portraits in the Exhibition Space
Johannes Cladders’ anti-museum by Lorenzo Benedetti

Exhibition Literature
Expanded Literature. Dominique Gonzalez-Foerster by Jean-Max Colard

Spotlight
James Bridle. Seeing Like a Network in conversation with Ben Vickers

Spotlight
Self-Portrait as a City. Alex Israel in conversation with Gigiotto Del Vecchio

About
Anicka Yi’s Allegorical Bouquets by Chris Sharp

About
Kevin Beasley. Energy Accumulates by Rose Bouthillier

Artist’s Project
by Amy Yao

Spotlight
Philipp Timischl in conversation with Pierre-Alexandre Mateos and Charles Teyssou

A Visit To
Rodrigo Hernández in conversation with Joao Mourao & Luis Silva

Spotlight
ÅYR in conversation with Philipp Ekardt

Spotlight
Caroline Mesquita in conversation with Martha Kirszenbaum

HOT!
Debora Delmar Corp. by Judith Vrancken
Juliana Huxtable by Whitney Mallett
Sophie Jung by Frances Loeffler
Nancy Lupo by Sarah Lehrer-Graiwer

Cura

Cura No.19

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CURA. No.19
WINTER 2015

Cover by Yoan Mudry

Cura No.16

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