Yves Klein: Japan
How Yves Klein’s formative period in Japan formed his dual pursuits of art and judo.
Yves Klein (1928-62) first traveled to Japan as a young man in 1952, motivated primarily by his interest in judo. During his 15 months abroad, Klein had numerous important creative and philosophical revelations that culminated in the launch of his artistic career upon his return to Paris.
Prepared in collaboration with the Yves Klein Archives, this volume details Klein’s relationship with Japan through nearly 150 archival documents, photographs and letters, inviting the reader on his journey from martial arts to fine art at the very beginning of his career. Along the way we learn of Klein’s important encounters with art critic Takachiyo Uemura, painter Keizo Koyama and design professor Masaki Yamaguchi. Yves Klein: Japan provides essential insight into the origins of Klein’s oeuvre as both a groundbreaking visual artist and prolific writer whose short-lived career helped to transform postwar art.
Yves Klein: Dreaming in the Dream of Others
Yves Klein: Dreaming in the Dream of Others / Rêver dans le rêve des autres
Published on the occasion of the homonymous exhibition held at the Opale Foundation (in Lens, Switzerland), the book Rêver dans le rêve des autres (Dreaming in the dream of others) presents the work of Yves Klein alongside with works by twelve Aboriginal artists (Angkaliya Curtis, Bardayal “Lofty” Nadjamerrek, Bill Whiskey Tjapaltjarri, Danie Mellor, Dhambit Munungurr, Emily Kame Kngwarreye, Ignatia Djanghara, Paddy Bedford, Waigan Djanghara, Wattie Karruwara, Judy Watson, and Paji Honeychild Yankarr), showing how the link between the French artist and the world of the Australian Aborigines is anything but arbitrary. Klein was very interested in the non-Western: works from his youth have been discovered in his archives that were later identified as copies of Aboriginal motifs, and his writings confirm that he was familiar with the cave paintings of north-western Australia. In the ’50s, Aboriginal art, which was little known, was seen not as the expression of a different spirit, but rather as the survival of a vanished spirit, in short, that of the Neolithic: Yves Klein, like his parents, was fascinated by prehistory.
Edited by Mousse
Texts by Georges Petitjean, Wally Caruana, Didier Semin, and Kim Akerman
English / French
Hardcover, 20 x 27 cm